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The Coronation of the Virgin, 1645 by Diego Velazquez

One of the tasks required of Velázquez, the court painter, was the painting of altarpieces, though to a lesser extent than painting portraits. The Coronation of the Virgin was painted around 1645, possibly for the queen's oratory in the Alcazar in Madrid. Angelic putti carry the virginal Madonna up to heaven on clouds; Christ and God the Father hold a wreath of roses over her head, and the dove of the Holy Ghost hovers above her in an aureole of light. The glory of the coronation of the Mother of God and her perfect features are signs of her virginity. The virginal face of the Madonna reflects the emotions aroused in Spain between 1613 and 1620 by the postulated Immaculate Conception of the Virgin. In this context Pacheco encouraged painters to create emphatically youthful depictions of Mary.

Masterpieces of Diego Velazqueze

  • The Surrender of Breda
  • The Triumph of Bacchus
  • Las Meninas
  • Rokeby Venus
  • Christ on the Cross
  • Equestrian Portrait of the Count-Duke
  • The Forge of Vulcan
  • Philip IV on Horseback
  • Infanta Margarita Teresa in a Blue Dress
  • Old Woman Frying Eggs
  • The Spinners
  • Pope Innocent X
  • The Needlewoman
  • The Lady with a Fan
  • Portrait of Prince Balthasar Charles
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